Yusef Komunyakaa

We Never Know

He danced with tall grass 
for a moment, like he was swaying 
with a woman. Our gun barrels 
glowed white-hot. 
When I got to him, 
a blue halo 
of flies had already claimed him. 
I pulled the crumbed photograph 
from his fingers. 
There's no other way 
to say this: I fell in love. 
The morning cleared again, 
except for a distant mortar 
& somewhere choppers taking off. 
I slid the wallet into his pocket 
& turned him over, so he wouldn't be 
kissing the ground.

رقص مع العشب الطويل

للحظة، كما لو كان يتمايل

مع امرأة. ماسورات بنادقنا

توهجت بيضاء من حرارة النيران.

عندما وصلتُ إليه،

كانت هالة زرقاء

من الذباب قد طوّقته.

سحبتُ الصورة التي استحالت مزقا

من بين أصابعه.

ما من طريقة أخرى

لأقول: وقعت في الحب.

انجاب ضوء الصبح من جديد،

عدا قذيفة "مورتر" بعيدة

ومروحيات تقلع من مكان ما.

دسستُ الحافظة في جيبه

وأدرت جسده، حتى لا يبقى

منكفئا يُقبّل فمُهُ الأرض.

Yusef Komunyakaa

  On April 29, 1947, Yusef Komunyakaa was born in Bogalusa, Louisiana, where he was raised during the beginning of the Civil Rights movement. He served in the United States Army from 1969 to 1970 as a correspondent, and as managing editor of the Southern Cross during the Vietnam war, earning him a Bronze Star.

He began writing poetry in 1973, and received his bachelor’s degree from the University of Colorado Springs in 1975. His first book of poems, Dedications & Other Darkhorses, was published in 1977, followed by Lost in the Bonewheel Factoryin 1979. During this time, he earned his MA and MFA in creative writing from Colorado State University and the University of California, Irvine, respectively.

Komunyakaa first received wide recognition following the 1984 publication of Copacetic, a collection of poems built from colloquial speech which demonstrated his incorporation of jazz influences. He followed the book with two others: I Apologize for the Eyes in My Head (1986), winner of the San Francisco Poetry Center Award; and Dien Cai Dau (1988), which won The Dark Room Poetry Prize and has been cited by poets such as William Matthews and Robert Hass as being among the best writing on the war in Vietnam.

Since then, he has published several books of poems, including The Chameleon Couch (Farrar, Straus and Giroux, 2011); Warhorses (2008); Taboo: The Wishbone Trilogy, Part 1Pleasure Dome: New & Collected Poems, 1975-1999 (2001); Talking Dirty to the Gods (2000); Thieves of Paradise (1998), which was a finalist for the National Book Critics Circle Award; Neon Vernacular: New & Selected Poems 1977-1989(1994), for which he received the Pulitzer Prize and the Kingsley Tufts Poetry Award; and Magic City (1992).

Komunyakaa’s prose is collected in Blues Notes: Essays, Interviews & Commentaries (University of Michigan Press, 2000). He also co-edited The Jazz Poetry Anthology (with J. A. Sascha Feinstein, 1991), co-translated The Insomnia of Fireby Nguyen Quang Thieu (with Martha Collins, 1995), and served as guest editor for The Best of American Poetry 2003.

He has also written dramatic works, including Gilgamesh: A Verse Play (Wesleyan University Press, 2006), and Slip Knot, a libretto in collaboration with Composer T. J. Anderson and commissioned by Northwestern University.

About his work, the poet Toi Derricotte wrote for the Kenyon Review, “He takes on the most complex moral issues, the most harrowing ugly subjects of our American life. His voice, whether it embodies the specific experiences of a black man, a soldier in Vietnam, or a child in Bogalusa, Louisiana, is universal. It shows us in ever deeper ways what it is to be human.”

Komunyakaa is the recipient of the 2011 Wallace Stevens Award. His other honors include the Ruth Lilly Poetry Prize, the William Faulkner Prize from the Université de Rennes, the Thomas Forcade Award, the Hanes Poetry Prize, fellowships from the Fine Arts Work Center in Provincetown, the Louisiana Arts Council, and the National Endowment for the Arts.

He was elected a Chancellor of the Academy of American Poets in 1999. He has taught at University of New Orleans, Indiana University, as a professor in the Council of Humanities and Creative Writing Program at Princeton University. He lives in New York City where he is currently Distinguished Senior Poet in New York University’s graduate creative writing program.